Reon Brand – Co-Emerging Futures

Everything flows. Reon Brand, head of Future Studies and Innovation at Philips, is only too aware of this. With his study ‘Co-Emerging Futures’, he has tried to map the main dynamics of our rapidly changing world and answer the question of how they contribute to a number of possible futures. Brand identifies four main streams that outline the relationship between man and nature: post-human, trans-human, the stationary state and eco-entanglement. Only in the case of the latter, which according to Brand is by far the most important, are humans and their needs (finally) driven from the centre. Within this way of thinking, value is created through an ecological-holistic approach that fully recognises how everything is fundamentally connected. What role can design play in this? What is the impact of this new way of thinking on industrial processes? Food for thought and for an urgent debate.

Panel discussion - Psychosocial well-being - 2Spaces x NEST (LUCA | School of Arts & KU Leuven)

In a panel discussion, we highlight the psychosocial well-being of young patients with cancer and chronic diseases. The panel includes haematologist Tessa Kerre, psychiatrist Uus Knops, Astrid David, Paulien Melis, Sophie De Somere and Julie Vandenbroucke, as well as participants - artists and target group - from the ongoing research project 2Spaces.

• Tessa Kerre Haematologist and head of clinic at the UZ Gent. Also active as a senior lecturer at Ghent University and author of Immuun voor kanker en Kunst op voorschrift (Immune to cancer and Art on prescription). You could see her on screen in the series Topdokters on VIER.

• Uus Knops Psychiatrist, both ambulatory and (interim) residential and author of Casper - een rouwboek (Casper - a book of mourning)

• As a young woman in her thirties, Astrid David became seriously ill. During the treatment of leukaemia, she made the exhibition I AM HURT from her sickbed, about the human being who sometimes literally cries out in pain. After a relapse, followed by a stem cell transplant in 2012, she developed vzw David, a platform for art and care. Her motto: getting better is not for wimps.

• Paulien Melis Founder of Studio Junctuur and programme maker for the Embassy of Health and the Embassy of Inclusive Society. Paulien has been working on the development of new forms of care for more than 10 years.

• Sophie De Somere General coordinator of ONBETAALBAAR, a think tank and workshop that devises projects around discarded materials and together strives for a materialism with emotion.

• Julie Vandenbroucke Founder of Arteconomy where she works with artists to bring about meaningful and profound changes in mindset and corporate culture, and creates product innovation through in-company interventions.

Neurodiversity day

What can design mean for neurodiversity? And how can designers contribute to a neuro-inclusive society?

A group of experts and designers search for answers from different perspectives: neurological, biological, socio-economical and psychological. There is no such thing as a standard brain. Just as there is bio- and cultural diversity, there are also differences between people’s brains and, consequently, there are also different ways of thinking and learning. This neurodiversity – or neurodivergence – forms the starting point for designers and researchers to tackle challenges in an interdisciplinary way: how does biodiversity stand up against neurodiversity? How can an installation stimulate neurological change? And how can design help us move towards a neuro-inclusive society? Dive into the human mind through three panel discussions and a workshop. 

• 14:00 - The first discussion is about neurodiversity as a game changer with Reon Brand, Wim Huizing, Daisy Dawson and moderator Paulien from Studio Junctuur.

• 15:35 - Next, we have a Talk with art therapist Simone Donnari (Screen2Soul) about how he uses art and new technologies in therapy.

• 16:15 - A second panel discussion, focused on the social aspect, looks beyond the labels with Ulrike Dejaegher and Janneke van Olphen, among others, and with the TAAT collective as moderator. 

• 17:30 - [Erehal Design Museum Gent] Ultimately, the day culminates in a Lightning Decision Jam workshop. With a positive outlook, the biggest challenges of neurodiversity are highlighted after which we come up with tangible, concrete and implementable solutions. By doing so, we want to inspire and stimulate each other to build a community, raise awareness, pay attention to mental health provision for child and parent, and make the enthusiasm sustainable.

In a nutshell, during Design Fest Gent, 24 April is Neurodiversity Day: the official start of an innovation path that aims to connect inclusively, neutralise prejudices and appreciate talents with, for and by children and young people who are neurodivergent. The innovation process kicks off with panel discussions, and a design challenge, expo and workshop.

Sylvain Bureau - Art Thinking: create the improbable with certainty

Sylvain Bureau, professor at the Paris ESCP Business School and the Art Thinking Collective, is sure of one thing: the future is doubtful. Like Andy Warhol, he elevates the Coca-Cola bottle to a symbol of a bankrupt social model based on certainty. Wherever in the world the Coca-Cola company goes, its rigid form and taste requirements turn the sugary drink into a benchmark of process-based and formal monotony. At least that was the case until Corona threw a spanner into the works,, and the entire social system was thrown into disarray. Sylvain Bureau sees a major role for art in the transitional phase towards something new. Art sweeps aside, scandalises and undermines established ideas. The role of the Art Thinking Collective is to introduce this improbable potential to the general public.

PlastiCity - Call for designers

The PlastiCity project investigates how plastic waste can be recovered and reintroduced into the supply chain as a raw material. The city of Ghent is committed to this project, and wants to not only reintroduce waste – in the form of various products and semi-finished products – into the city in an innovative and useful way, but to also introduce companies, designers and citizens to the opportunities offered by the circular economy.

During the PlastiCity workshop and networking event, facilitated by Apollo 18, product and process designers can meet material experts, producers and potential customers. Together, we’ll think about possible scenarios, applications and partnerships in which recycled plastic can be reused as a raw material.

A short presentation of the PlastiCity project with some inspiring examples will kick off the workshop. After that, all participants will gather around the material tables, where different samples with their technical explanations will be made available. Specialists and researchers from Ghent University will be present to give expert explanations on the materials, polymer processing techniques and new applicable technologies.

Subscribe now by clicking on this link: https://www.flexmail.eu/f-301d1f4705ef7edf

DFG-talks

– Ineke Hans – REX

Meet REX, the Netherlands’ first ‘returnable’ chair. The 2011 award-winning design by Ineke Hans has been given a circular life some ten years later by Circuform. During the DFG talks, Ineke Hans, the Dutch designer who created the chair, will tell the story of REX within the growing recycling movement.

A fresh new brand in the furniture sector, Circuform is giving industrially designed furniture a new chance, by creating pieces that have a long lifespan from recycled materials, and which are also completely recyclable. REX is one of the chosen pieces. Ineke Hans’ design was resurrected with an adapted design and production method and with recycled nylon from office chairs, fishing nets and carpets, among other materials. Meanwhile, there are already return locations all over the Netherlands. Chairs with a deposit? There’s a future in that.

As a designer of furniture, products, exhibitions and spaces, Ineke Hans is based in the Netherlands and Berlin. She is professor of Design & Social Context at the University of the Arts in Berlin, and is a popular guest on international juries, talks and debates on design.

– SerVies

You and I, along with the vast majority of the population, are exposed to excessively high concentrations of fine dust. Although the air quality in Belgium has improved slightly in recent years, we still breathe in soot, nitrogen oxides and other pollutants without noticing it. Designers Iris de Kievith and Annemarie Piscaer have found a way to harvest fine dust and use it as glaze for ceramics. A new table service thereby makes us aware of air pollution. The fine dust determines the colour of the tableware, making the air quality not only visible, but even tangible.

Help harvest fine dust in Ghent. The ‘participatory urban mining’ project was launched in 2018 at Dutch Design Week in Eindhoven, and there is a growing network of cities in which the project has been developed as Smogware. After all, awareness of air quality in cities needs to be raised even further, and, with SerVies, that starts with your cereal bowl and your coffee cup.

– Adriaan Debruyne – HOOS

HOOS has developed attractive (satchel) bag sets using used advertising textiles, rejected seat belt webbing, locally produced zips and recycled advertising panels. The collaboration between Material Mastery and the Weerwerk sewing workshop creates not just a pretty bag, but also the world’s first circular school bag set. Parents of primary school children can rent this school bag set and have it repaired if necessary. In this way, the material is reused not just once, but many times. Other bags – entirely in keeping with the local, social and circular credo – also see the light of day at HOOS. In the sewing workshop, people who have difficulty entering the labour market transform advertising textiles and waste flows into new, sustainable and personalised products.

HOOS saves high-quality material from the incinerator, enables people from Weerwerk to grow, and builds a circular economy. Be inspired by Adriaan Debruyne during the DFG talk who, together with HOOS, wants to stimulate circular thinking and more conscious purchasing behaviour.

– PlastiCity

PlastiCity aims to make plastic beautiful again and to push waste plastics into a circular economy. The Interreg 2 Zees project is developing strategies and solutions to drastically reduce the mountain of plastic waste. Urban commercial and industrial plastic waste needs to be recycled more In the partner regions of Belgium, the Netherlands, France and the United Kingdom.

PlastiCity wants to use urban platforms to bring about a change in behaviour, and is employing mobile units for testing, demonstration and sensitisation. New value chains are being developed and products are being designed to use waste plastics as valuable materials. PlastiCity brings designers, product makers and waste owners together to create innovative and sustainable design concepts from recycled material streams of non-household waste. Be inspired, advised and recycled during the DFG PlastiCity talk.

Freely accessible with day- or festival ticket

Fransje Gimbrère & Soft Connection Lab - Braid to Connect

In the distant past, the Maypole dance inspired creative people to create a weaving machine. Today, the Soft Connection Lab at the Gent KASK is investigating whether we can turn this around and transform existing textile-making methods into a making performance again. Together with the Dutch textile designer Fransje Gimbrère, the researchers get to work with soft, tactile materials from production surpluses. Ten performers, Fransje Gimbrère and the research group set up a human braiding machine, as it were.

While designing and making have become completely disconnected in our Western industrialised society, the Soft Connection Lab investigates how -- based on adapted textile-making methods and inspired by the social connectedness of the Maypole dancers -- we can once again stimulate such a connecting design attitude. Come to see not only the impressive objects, but also the live performance at Design Fest Gent in the Museum of Industry.

Arteveldehogeschool - Ecodesign in Packaging

Is plastic packaging more sustainable than paper or glass? Should packaging be compostable, recyclable and/or reusable? Professionals who design and produce packaging shared their insights with packaging experts at Arteveldehogeschool and Vincent De Smedt @Edmire.design

Enter the world of eco-packaging. Renewable, recyclable and reusable materials are at the centre. But also the design itself is always a hunt for smart designs that stimulate reuse and thus reduce the ecological footprint. Find out which eco-design tips apply to your case and ask your questions.

I.c.w. EDMIRE | circular design

Onbetaalbaar – Ready to Go, een circulaire ontdekkingstocht

Stacked drawers, compartments full of sustainable treasures in a compact and mobile unit. Ready to Go is an ecological toolkit created to help you find your way in the circular world. The mobile furniture was developed by Onbetaalbaar, a think tank and workshop where projects are created around discarded materials. It sorts new raw materials and thus stimulates smart combinations and reuse. Ready to Go contains beautiful, useful circular materials, with their own story, ready to be integrated into new projects. Because why shouldn't we work together and share our knowledge to contribute to a 'cleaner' future? Ready to Go? Absolutely.

Livable Platform & Circular Matters invite; ONTketen FINISSAGE + EXPO

Within the project ONTketen, cleantech start-up Circular Matters and design platform Livable join forces for a circular and bio-based future. Through a matchmaking process, three pioneering production companies work together with three design studios on alternative products free of fossil and mined resources. On Thursday 28 April 2022, the closing event of ONTketen takes place during Design Fest Gent at Design Museum Gent.

• 17:00 - 18:00: Welcome & project presentation

• 18:00 - 18:30: Personal guided tour EXPO

• 18:30 - 19:30: Reception

DFG-talks

– Jasper Bloemen – GLIMPS.bio

Combine biology with technology and a good business plan, and the possibilities become endless. Jasper Bloemen knows this all too well as founder of GLIMPS.bio, a research and development organisation that activates the circular and bio-based economy. By showing entrepreneurs and companies the (financial) potential of - so-called - lost side streams, GLIMPS.bio wants to cause a mind shift. In this talk, Jasper explains how these by-products with their related costs can be converted into revenue streams and new strategies. His experience at GLIMPS.bio allows him to tell how for instance coffee and green waste were transformed into profitable production streams. During the talk, the focus will be on the challenges of industrial up-scaling. The time of circularity and sustainability as innovative buzzwords is over. For a future-oriented company, it must be an integral part of their financial and business strategy, that is for sure.

– Philippe Willems - OriBond, a key to sustainable furniture

Meet OriBond, a 2-component thermoset made from 100% renewable raw materials. Orineo, a company that develops sustainable binders, designed the material to be non-toxic to humans, animals and the environment, and functional as it should be: with binding power, chemical and water resistance and mechanical properties. Depending on the application, OriBond replaces common fossil-based thermosets such as epoxy resins, polyurethane, polyester or formaldehyde resins. OriBond was born, patented, developed and produced in Flanders using raw materials from Europe. Philippe Willems, co-founder of Orineo, will demonstrate, in collaboration with Onbetaalbaar, how OriBond can be used in the production of furniture based on secondary flows. Because in a world of abundance, raw materials must always be used in a circular model for the well-being of every form of life.

– Knotfactory - Connecting the Knots

The invasive Japanese knotweed is disrupting biodiversity in the western world. Yet there is no unambiguous control plan. This makes Japanese knotweed an inexhaustible source of biomaterial, at least in theory. Changing regulations, impurity of the harvest and the ban on cultivation stand in the way of high-quality production of knotweed. Moreover, the variety of explicit opinions on the plant species symbolises the impact of anthropocentric and colonial thinking. Timelab sees this mismatch as a metaphor for a failing industrial production system and designed an innovative production model seven years ago. Circular, decentralised, local and with an open network, products were developed from Japanese knotweed: knotplex, knottex and knotpot. Behold the birth of the Knotfactory, a network of local production units with biocomposite materials, 100% biodegradable and with open, accessible knowledge.

– Pascal Leboucq - The Exploded View

The Exploded View looks at a house with a revolutionary eye. The many uses of a house are dissected with precision and then reassembled with biobased materials. Food scraps, textiles, (sewage) water or bacteria, but also local mining, 3D printing and detachability are part of their life-size model. The installation incorporates applications and materials of today, tomorrow and even the day after tomorrow. From products that already exist, but still find it hard to find their way to the construction site, to ideas that still need a lot of support and research to fully develop. The Exploded View, developed by Biobased Creations in collaboration with a group of pioneers from the world of circular and biobased building, The Embassy of Circular & Biobased Building, serves as inspiration for the circular and biobased building world, but also for you. During the DFG-talk, The Exploded View makes audible, visible and tangible what until recently was unthinkable. The talk will be given by Head of Design Pascal Leboucq.

Freely accessible with day- or festival ticket

Design Dialogues | Design x Ecology (moderated by Caroline Bianco)

Endangered species, coral reefs drying up, microplastics in our DNA, melting polar caps... It's no longer news, but when are we going to wake up? As humanity, we are responsible for the survival of the earth and everything that lives on it. Our mother ship is sinking and she doesn't care about our excuses. Time to turn the tide. Time to recognise the world as an animated object again and to restore our complex connection with it.

More than a quarter of a century ago, designer Victor Papanek pleaded in his book The Green Imperative for a sustainable awareness in design. In addition to his critical comments to the design world of his era, he also gave advice: (re)use materials that can be recycled, reduce consumption, put nature at the heart of every design and reject pointless aesthetics and fancy gadgets.

In the year 2022 Papanek's argument remains topical. The challenges have become even more urgent. Fortunately, there seems to be a turnaround on the design horizon. More and more designers are becoming aware of their complicity and are integrating a sustainability mindset into their practice. They dedicate themselves to transdisciplinary research and regard their designs as instruments that can facilitate change. In this dialogue, we join Formafantasma, Studio Plastique and Caroline Bianco to explore the influence designers have on the world's climate. 

Formafantasma (IT) is a design studio that investigates the ecological, historical, political and social forces that shape the contemporary design discipline. The aim is to promote a deeper understanding of both our natural and built environments and to propose transformative interventions through design and its material, technical, social and discursive possibilities.

As a design studio, Studio Plastique (BE) focuses on designing sustainable and empathetic processes, materials, products and environments through collaborations between different disciplines. In practice, the studio combines imaginative scenarios and critical reflections with in-depth investigations into complex material supply chains and technological infrastructures.

Caroline Bianco (FR) is Associated Director at Atelier LUMA, a design and research laboratory based in Arles. By exploring the resources and know-how in their bioregion, and connecting different areas of expertise, they develop local solutions for ecological, economic and social transition.

Design x Ecology is part of the curated lecture series Design Dialogues organized by the Design Department of KASK & Conservatorium (HOGENT - Howest) and Design Museum Gent. Distinctive voices from the broad field of design are invited to reflect on the role and future of design in a changing world. Each lecture is a critical dialogue around a theme and concludes with an open discussion between the speakers and the audience. After a whirlwind first edition, we are heading for a new series of in-depth talks. Our mission remains unchanged: to provide engaging perspectives that could help us meet the challenges of today and tomorrow.

Hannah Segerkrantz – hemp-it-yourself

TBA

Hamza Abu Ayyash – Digital Calligraffiti

Hamza Abu Ayyash is a Lebanese-born Palestinian activist and artist. His interest in the history of writing and expressions of social resistance in urban space sparked his sympathy for Digital Calligraffiti. On the border of calligraphy, underground and media art, he searches for as yet unheard voices, which he offers a democratic means of expression. With just an Internet connection, laptop and projector, walls and façades are transformed into canvases of connection, an expanding search for how certain Western monuments, icons and symbols can interact with futuristic art forms and Eastern tradition.

Hamza is an activist Palestinian designer. Because the Israeli embassy is listed as a partner in Design Fest Gent, Hamza feels compelled to cancel the workshop, with much pain in his heart. We respect his decision as an activist designer and regret that the workshop cannot take place. The Israeli Embassy is listed as a partner on the poster because they funded the transportation costs for an Israeli designer. It is not the intention of the festival to take a political stance, only to have a designer supported.

Binaural sounds - Reinout Rinus De Vos - 2Spaces x NEST

Sound artist Reinout Rinus De Vos (UltraTerrestrial) presents a 'binaural beat' installation in collaboration with bio-engineer Vladimir Kaigorodov. For about 20 minutes, the audience will experience a profound sound experience through headphones and optional binaural light gadgets. (Maximum 8 people per session)

Freely accessible with day- or festival ticket

DFG-talks

– BRUT collective

BRUT stands for bold movements and emotions beyond functionality. The collective, founded in 2018, consists of five interior designers who overlap in terms of concept, vision and design. The collaboration results in designs with a dark side and materials in their purest, most brutal form. As a collective, BRUT shows the power of Belgian design, in which the individual characteristics of the designers can come together, dialogue and coexist. Come and listen during the DFT-talk to how the designers - Ben Storms, Bram Vanderbeke, Charlotte Jonckheer, Linde Freya Tangelder and Nel Verbeke - initiate the dialogue between designers and their (design) environment. And how this interaction always leads to a scenography that visualises a collective story with individual elements. BRUT was proclaimed Young Design Talent 2019 by Flanders DC and received a Henry Van De Velde Gold Award.

– Bokrijk brandmerkt

'Craftsmanship is the process of transforming advanced professional knowledge into a tangible or intangible, high-quality and relevant end product.' That could be the definition. Meanwhile, we know that numerous terms and accents apply, but especially that 'contemporary relevance' is a constant. This is one of the reasons why the Bokrijk Open-Air Museum has been using a completely different approach for the last six years to make its heritage accessible, taking a radical approach based on the present, often in cooperation with creative partners. Without relevance on an economic, cultural or social level, craftsmanship is doomed to failure. It keeps makers and inventors on their toes.

It is for this reason that makers and devisers are invited to the now 7th BKRK Award #Smaak. You can register until 21/4.

– KUYCKXMEERS

Glass = 100% recyclable you think? In theory, perhaps. In practice, this is only possible for about 90% of the material. The remaining 10% disappears into the ground in landfills. The mission of KUYCKXMEERS, a Belgian design duo, is crystal clear: to investigate the possibilities of that hard-to-recycle glass. This resulted in a series of experiments with 'foam glass', a material that largely consists of recycled glass, mixed with a small amount of lime. In this way, glass is transformed into a light, solid and easy-to-process material.

With this material, Anouck Kuyckx and Thomas Meers create a series of zero waste design objects in cylindrical volumes, which also reduce the waste mountain. In the DFG talk, learn more about the second life of your drinking glass, kitchen utensils, food packaging or interior objects and follow the path from unwanted waste material to beautiful, functional objects.

– Jo De Baerdemaeker – Typo Belgiëque

The content of this text is already in the characters that were used to write it down, literally. Behind every font that we use eagerly on a daily basis, there is a lot of research, work and history. Typo Belgiëque delves into a piece of local history of Western typography and studies historical type families and unknown type foundries in Belgium.

Jo De Baerdemaeker leads a practice-based research project within LUCA School of Arts, Visual Design, that develops a Belgian visual identity with contemporary font technologies. Inspired by historical, typographic printing from roughly 1830 to 1950, old font families are given a new, digital life. The latest font technology guarantees the highest readability and ensures that the fonts can perfectly serve as web and screen typography. There are even whispers that the fresh font creations can give Belgian design studios and publishers just that little bit extra.

Freely accessible with day- or festival ticket

Hirngespinst - MoMu

Step into MoMu and become part of the Mobile Museum. What do you like to exhibit? Which piece of yourself can go under a bell jar or do you prefer to hang on the wall? In MoMu, Hirngespinst will search, together with you and other children, for the exhibition of your life, the art wall of your inner self, your beautiful self. You help shape the mobile museum, like a museum within a museum, a city within a city. Because MoMu is many things: Mobile Museum, Monster Mutation, Modular Muse, Modern Mummy, Moment Museum, ...

From childlike wonder and their fantasies, ideas are born that actually take shape. These elements, which adults have often forgotten, form the creative basis for artistic and theatrical workshops. Hanne Struyf and Sofie Joan Wouters of Hirngespinst repair the world with children.

All makers are invited to a short parade: the mobile museum will make a pentagonal walk on 30 April at 15:45 with all the made works. A walking museum, you don't want to miss that, do you?

The workshop is for children starting from the age of 8.

Continuous exhibition – Unfold

In their latest project, Belgian design studio Unfold explores how digital technologies and 3D scans can be meaningfully used as blueprints for new objects. They are currently working with digital scans of pre-Columbian ceramics, and are looking at how the digital data of historical artefacts can serve as a starting point for new stories of inclusion, tradition and knowledge. During the festival, Unfold is opening a lab in Design Museum Gent where lots of experiments will be carried out with a large, robot-arm clay printer that was developed together with KASK, the Royal Academy of Fine Arts of Ghent. Artists and designers are challenged to work with the printer together with Unfold.

During the weekend of 23 and 24 April, artists Dennis Ceylan and Chris Hoeben will be our guests. Through a series of experiments, they will investigate how artists and robots can ‘collaborate’.

On the weekend of 30 April and 1 May, a pre-Columbian Brazilian urn from the Marajoara culture will be printed. The original urn, from the Museu Nacional collection in Rio de Janeiro, was destroyed in the 2018 fire. A digital scan is all that remains of that urn.

Curious about the symbiosis between artist and machine, or wondering if it’s possible to print a Marajoara urn? The demonstrations will take place continuously from 1 pm to 4 pm in the basement (Wing 91) of Design Museum Gent. Claire Warnier and Dries Verbruggen, the driving forces behind Unfold, will take turns to be present.

DOKano: Gent proper maken vanop een kano

DOKano makes the world more pleasant from the waterways. Together with IVAGO, we are committed to improving the water quality of Ghent’s waterways. we are lending out two canoes each sailing day over the weekend, in exchange for a bucket of floating debris. We normally leave from Bar Bricolage, but, during Design Fest Gent, you get into your canoe at the Museum of Industry. You’ll receive all the material you need to go canoeing and trash fishing. Who knows, maybe your catch will be ‘the catch of the day’ that is displayed at Design Fest? In any case, you can leave your cares at the quayside, enjoy Ghent from the water and do something good for the world. It’s a win win win! Book your canoe now at info@dokano.be

You may know DOKano from the Clean Water Project for schoolchildren, or as a corporate team-building organiser. If you’re still unsure, just get up out of that chair, take to the water and join us!

Participation: €3

The Exploded View

The Exploded View takes a radical new look at a home. They are not afraid to dissect the many aspects of a home and then rebuild them using bio-based materials. Food remnants, textiles, (waste) water or bacteria, as well as local mining, 3D printing and a circular economy are incorporated into their life size model. The Exploded View emphasises the opportunities and attractive aspects of a circular and bio-based building sector, and makes visible and tangible what had until recently been unthinkable.

Get guided by enthusiastic guides among the many scale models that show in detail how The Exploded View works.

• Fr 22/04: 10h30-12h + 14h till 15h30 + 16h till 17h30 + 19h30 till 21u

• Sa 23/04: 10h30-12h + 14h till 15h30 + 15h till 16h30 + 19h30 till 21u

• Su 24/04: 10h30-12h + 16h till 17h30

• Mo 25/4: 12h till 13h30

• Tu 26/4: 12h till 13h30

• We 27/04: 10h30-12h + 14h till 15h30 + 16h till 17h30

• Th 28/04: 10h30 (10h00) -12h (13h) + 16h till 17h30

• Fr 29/04: 10h30-12h + 16h till 17h30 + 19h30 till 21u

• Sa 30/04: 10h30-12h + 14h till 15h30 + 16h till 17h30 + 19h30 till 21u

• Su 01/05: 10h30-12h + 14h till 15h30 + 16h till 17h30

Freely accessible with day- or festival ticket

WANHOOP

TBA

Table Dialogues

TBA